Pottery is one of the oldest human inventions. As a current day potter I feel connected to the long lineage of makers who’s work produced both utility and beauty. The methodical rhythm of pottery making feels like a meditation in action, involving consideration of both movement and form. Taking an ordinary material and making it into something extraordinary that can be used daily fills me with a sense of delight and joy.

The daughter of two artists, I grew up in New York City both surrounded by art and encouraged to be creative. In college I found my way to clay and fell in love with the material and process. The idea of making everyday objects that are both functional and beautiful was captivating. The notion that an everyday activity, eating a meal, drinking a cup of tea or coffee can be elevated by using a handmade object is compelling. The object becomes a way to ritualize the everyday experience, making it special.

I moved to Massachusetts to pursue a graduate degree in ceramics in 1995 and settled in Dartmouth. After an extended break from pottery making — raising children and other adventures — I am thrilled to be back in my studio. Much of my work is wheel thrown and fired to cone 10 in a wood kiln. I have also been developing a body of work fired to cone 6 in an electric kiln. I invite you to look through the gallery, updated regularly.